The Relationship Show explores four artists’ viewpoints on the beginning, end, and isolation within current relationships. Each artist approaches the topic utilizing multiple approaches that meet us emotionally, visually, and with bittersweet laughter.
The grand opening reception will take place on Friday, January 27, 2017 at the Colorado Photographic Arts Center’s new location (1070 Bannock St, Denver, CO 80204) in the Golden Triangle Museum District. This exhibition is on view beginning January 20 through February 25, 2017.
'The most important role an artist plays is the way in which they reflect back to the world something intimate about themselves. Art has the power to demonstrate love, passion, and joy. Conversely, it reveals uncertainty, discomfort, pain, and breakdown. Making art about relationships can be the most honest way to work through feelings of turmoil and disconnection. The origin of the artwork is personal, but the experience is universal. The photographs of Laura Beth Reese are a conscious look back at her relationships that have ended and an attempt at reconnection with an intimacy that has passed. Maureen Drennan photographs her husband with love and sensitivity in an attempt to reconnect and understand the turmoil in her marriage brought about by his depression.
Utilizing the language of popular culture adds universality to a project. Matthew Swarts takes our relationship with technology and amplifies the visual artifacts while simultaneously breaking our connection with the original image with two projects; each addressing the end of one relationship and the uncertainty that comes at the beginning of another. Allison Wade is borrowing the language of text messaging and the way that online dating relationships play out remotely with disastrous results. Her paintings of break-up texts demonstrate the frustrations, rising disregard for emotions, along with the desperation that has developed in a contemporary dating culture.
ABOUT MAUREEN DRENNAN
Maureen Drennan is a photographer born and based in New York City. Her work has been included in exhibitions in North America and Australia including the National Portrait Gallery (D.C.), Rhode Island School of Design Museum, The Wild Project (NY), Aperture (NY), Philadelphia Photo Arts Center and the Newspace Center for Photography, amongst others. She currently teaches at LaGuardia Community College and the International Center for Photography in New York City.
ABOUT LAURA BETH REESE
Laura Beth Reese is a Boston-based artist and curator. She was born in Iowa and raised in the Northeastern United States – sometimes in New Jersey and sometimes in Massachusetts. She completed her Bachelor of Arts in 2009 at Muhlenberg College in Allentown, PA and went on to earn her Master of Fine Arts in 2013 from the School of the Museum of Fine Arts, Boston. Reese’s work has been exhibited around the United States, most recently at the New Art Center, the Griffin Museum of Photography, and Bentley University’s McGladrey Art Gallery.
ABOUT MATTHEW SWARTS
Matthew Swarts lives and works in Somerville, Massachusetts. He received his Master of Fine Arts in Photography and Digital Imaging. His work has been featured in The New York Times Magazine, WIRED, SLATE, GUP Magazine, FLAK photo, Conscientious Photography Magazine, Doubletake Magazine, Contact Sheet, Afterimage, Fotophile, In the Loupe, and other publications. Swarts is the recipient of a J.William Fulbright Scholar Grant and the Ruttenberg Arts Foundation Award for the best new work nationally in photographic portraiture.
ABOUT ALLISON L. WADE
Allison Wade lives and works in New York City and is a Professor of Photography at The Fashion Institute of Technology. She received her MFA from Cornell University and her MA from The University of New Mexico. Allison is represented by Rick Wester Fine Art. Much of Allison Wade’s work deals with relationships and problems inherent in contemporary modes of communication. Her paintings and photographs show text messages that have ended the artist’s own relationships, whether sent by her or to her. These texts featured in Wade’s work are an exposition of one-way communication and social distance.'
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